Ads

Mikuru no Kokoro (Suzumiya Haruhi no Yuutsu) Guitar Tab

Submitted: Oct 05, 2012 by diralark

5
Average: 5 (9 votes)
 Download | Listen
Game: Suzumiya Haruhi no Yuutsu
Composer(s): Satoru Kousaki
Style: Arrangement, Fingerstyle

AutoScroll: Slow | Medium | Fast 
                 Mikuru no kokoro     -    Suzumiya Haruhi no yuutsu

Music by Satoru Kousaki   >>  duet guitar arr. by RexLeRouge  >>  solo guitar arr. by Diralark

Solo Guitar, tempo 78, let ring

     A                           A7M                        A                         
     E  E  E  S  S E  E  Q       E   E  E  Q    E  E  E     E  E  E  S  S E  E  Q     
E||----------------0----------|------------0-------------|----------------0----------|
B||-----------0h-2-------2----|--------------------3-----|--2--------0h-2-------2----|
G||--------2----------2-------|---------2-------2-----2--|--------2----------2-------|
D||-----2---------------------|------3-------------------|-----2---------------------|
A||--0------------------------|--0-----------------------|--0------------------------|
E||---------------------------|--------------------------|---------------------------|


  A7M                        A                         E/G#                         
  E   E  E  E  H             E  E  E  S S Q    Q       E    E  E  S  S E  E  E  E   
------------0-----------||--------------0-----------|--0-------0--2p-0----------0--|
--3------------3--------||---2-----2--3-------------|------------------0-----0-----|
---------2--------------||*--------2------2---------|----------1----------1--------|
------3-----------------||*-----2--------------2----|-------2----------------------|
--0---------------------||---0----------------------|------------------------------|
------------------------||--------------------------|--4---------------------------|


                                                                  1.________________
  F#m (II)          A/E -]          Dsus2          D                Bm (II)            E            
  E        E  E  E  E   E  E  E     E     E  E  S  S E  E  E  E     E       E  E  S  S E  E  E  E   
--5-----------------4---2--0-----|--------------0h-2-------------|--2----------2--5S-4----------2--|
---------------------------2-----|-----------3-------3-----3--2--|-------------3-------------------|
-----------------2------------2--|--------2-----2-------2--------|-------------4-------------1-----|
--------------4------------------|--0----------------------0-----|----------4----------------2-----|
-----------4---------------------|-------------------------------|--2---------------------2--------|
--2-----------------0------------|-------------------------------|---------------------0-----------|


  C#m       F#m (II)                  -- Bm                          E4       E              
                                                                                 ^           
  E   E  E  S        S E  E  E  E     E  S  S E  S  S E  E  E  E     E  E  E  E  H           
--0------0--2----------------------|------------------2-----------|--------------0---------||
---------0-----------2-------------|--2--3--3----2h-3----3--2-----|--------------0---------||
------1----------------------2-----|----------2----------2-----2--|-----2-----1--1--------*||
-----------------------------4-----|-----4------------------------|--------2--------------*||
--4-----------------------4-----4--|--2---------------------------|-----2------------------||
-----------------------2-----------|------------------------------|--0---------------------||


2._______________
  Bm (II)            E              C#m (IV)                           VII          -]            
                                                                                       ^          
  E       E  E  S  S E  E  E  E     E        E  E  S  S E  E  E  E     E    S  S E  E  Q    Q     
----------------9p-7----------2--|-----------------7p-5-------5--7--|--9---------------0----4----|
--7----------7-------------------|--5-----------5-------------------|------10-10-------0---------|
-------------7-------------1-----|--------------4-------------------|------------7---------------|
---------------------------2-----|-----------6----------4-----4-----|------------7-----6---------|
----------9-------------2--------|--4----------------------4--------|-------9-------9------------|
--7------------------0-----------|----------------------------------|--7---------------0---------|


  A(II)                                                      DM7(II)                    
  E     E  E  E  E  E  Q       E  E  E  E  Q    Q       S  S E       E  E  E  E  E  E   
--5-------------------------|------------------------|--4s-5------------L--2-----------|
--------------3--2-----2----|--0--------0--2---------|---------------2-----------2-----|
-----------2--------2-------|--------0-----0----2----|-------2----------2-----2-----2--|
--------2-------------------|--------------2---------|--0------------------------------|
--0-------------------------|-----4--------0---------|---------------------------------|
----------------------------|--5---------------------|---------------------------------|


  D7 (V)                         C#m7 (IV)                         F#m (II)                -]     
  E      E  E  E  E  E  E  E     E         E  E  E  E  E  E  E     E        E  E  E  E  E  E  E   
---------5--5-----7--5-----5--|--4------------------4-----------|--------------4--2--5--4--2--0--|
---------------9--------9-----|------------5-----5--------5-----|--------------------------2-----|
------------5-----------------|---------------4--------4-----4--|-----------------2-----2--------|
---------7--------7-----------|------------6--------------------|--------------4-----------------|
--5---------------------------|--4------------------------------|-----------4--------------------|
------------------------------|---------------------------------|--2-----------------------------|


  Bm7(VII)                           Dm(V)                        E                        
  E        E   E  E   E  E  E  E     E     E  E  E  Q    E  E     E  E  E  E  E  E  E  E   
----------------------------------|-----------------5----9--L--|--7-----------0-----------|
---------------------10-----------|--5--------------6----------|-----------0--------0-----|
--9--------7------7---------7-----|--------7--6--7-------------|-----------------1-----1--|
--------------11---------7-----7--|--------7-------------------|--------6-----------------|
-----------9----------------------|--5-------------------------|-----7--------------------|
--7-------------------------------|----------------------------|--0-----------------------|


  E                           D7M       A/C#            Bm7(II)    -] A                 
  ^                           ^         ^               ^             ^                 
  E  E  S S S  S Q.     E     E   E  E  Q    E  Q       E       E  E  Q    S S S  S E   
--0---------0h-2-4------L--|--2---4--5-------L--L----|-------------2--0----------------|
--0-----0------------------|--2---------5----L--5----|--3-------5-----2--------0h-2-L--|
--1--1----1----------------|--2---------2----2--L----|--2-------------2------2---------|
--2------------------------|--0----------------------|--4-------------2----2-----------|
--2------------------------|------------4----L--L----|--2-------------0----------------|
--0------------------------|-------------------------|---------------------------------|


  D7M       A/C#              E4    E                 F#m (I)                              
  ^         ^                 ^     ^                                                      
  E   E  E  E    Q    Q       E  E  H        E  E     E       E  E  T T T  T  E  E  E  E   
--2---4--5-------L----L----|--0-----0--------L--L--|--------------------------------------|
--2---------5----L----L----|--0-----0--------L--L--|--1----------1----1-------------1-----|
--2---------2----L----L----|--2-----1--------L--L--|--------------------4p-3p-2-----------|
--0------------------------|--2-----2--------L--L--|--3----------3------------------3-----|
------------4----L----4----|--2-----2--------L--L--|----------3-----3------------3-----0--|
---------------------------|--0-----0--------L--L--|--1-----------------------------------|


  AM7        A       ??             F (I)                           -]       
                                             |-3| |3|  |-3| |3|  |-3|  |3|   
  E   S S S  S S S S S  E  E  E     E     E  E  S S E  E  S S E  E  S  S E   
------0----------0---------------|------------------------------------------|
--2-------0h-2-----0-------------|--1--------1---------1------1--3--1----3--|
--------1------2-----1h-2--1-----|--------------2---4-----4-----------------|
------2-----------------------2--|--3--------3---------2--------------------|
--0------------------------------|--------3-------3---------3----------0----|
---------------------------------|--1----------------------------1----------|


  A7M                               C                                   
  |-3-| |3|                                                             
  E   S S E  S S S S S S E  Q       S S E  S E  S S S  S S S T  T  S S  
----------0--------0-----0-------|-------------------------------------|
--3s--5------0-2-----2------2----|------1------------------------------|
----------1------2-----1---------|----2------0-----------0-------------|
--------2------------------------|---------2------2-2h-3---2-2h-3p-0---|
--0------------------------------|--3------3----3-3--------3---------3-|
---------------------------------|-------------------------------------|


  A/C#(II)                                 F7M         Bb7M          A7M                   
                                           ^           ^             ^                     
  S        S S S S S S S S  S  S S Q       Q.     S  S Q    E  E     E   E  H.             
----------------------------------------|--------------0----0-----|----------------------||
-----------------------2-2h-3p-2--------|---------2h-3-3-------3--|--0h--2--L------------||
-----------2-----4---------------2------|--------------2----------|--1------L------------||
-------------2-------2-------------2----|--3-----------3----------|--2------L------------||
--4------------4---4-----4--------------|--0----------------------|--0------L------------||
----------------------------------------|--1----------------------|----------------------||

Legend
---------------
H - half
Q - quarter
E - 8th
S - 16th
T - 32nd
. - note dotted
|-n-|  - n-tuplets
L - tied note
h - hammer on
p - pull off
^ - brush up
Login or Register to remove this ad.

10 comments on Mikuru no Kokoro

Amazing.

Submitted by Chase99234 on Sun, 10/07/2012 - 10:58.
5

Amazing.

Thanks, You kind ! Btw, in

Submitted by diralark on Mon, 10/08/2012 - 06:03.

Thanks, You kind !

Btw, in case anyone want play the duet version , RexLeRouge made it (and it's the source I used to build a solo version)
Here is : http://www.gametabs.net/suzumiya-haruhi-no-yuutsu/mikuru-no-kokoro#comme...

the timing is off after the

Submitted by ametueraspirant on Thu, 01/16/2014 - 21:05.

the timing is off on the thirty-second bar, it's more notes than the 4/4 time holds

Well apparently, it s 1/4

Submitted by diralark on Fri, 01/17/2014 - 08:04.

Well apparently, it s 1/4 times for GP

     A7M          
     |-3-| |3|    
     E   S S E    
E||----------0--||
B||--3s--5------||
G||----------1--||
D||--------2----||
A||--0----------||
E||-------------||

And.. please don't ask me why :D

No, it's fine. (Did you miss

Submitted by auriplane on Fri, 01/17/2014 - 12:28.

No, it's fine. (Did you miss the triplet markings?)

The GP5/sheet music would be better, though, if the triplets were on the upper voice and the eighth notes were on the lower voice. (But I don't think the author tried to make the rhythm in the sheet music particularly readable.)

I tried using 2 voices then

Submitted by diralark on Fri, 01/17/2014 - 14:22.

I tried using 2 voices then here's the patch :

I'm a patch
https://mega.co.nz/#!VkplnRLJ!SIcpDg745Uk4cXCtmLZ-bGBTU1EZadyYSEd2btHxAtc

Then the bars become easier to read perhaps (?) :

           |-3| |3|  |-3| |3|  |-3| |3|     |-3-| |3|                         
     E  E  E  S S E  E  S S E  E  S S E     E   S S T S S S S S S S E  Q      
E||------------------0-------------------|----------0---L-----0-----0-------||
B||--1------------0--1--0---1--3--1---3--|--3s--5-------0-2-----2------2----||
G||-----------2--------------------------|------------1-----2-----1---------||
D||--3-----3-------------------3---------|--------2-------------------------||
A||-----3-------3---------3---------0----|--0-------------------------------||
E||--1-----------------------------------|----------------------------------||

hum.. I can't say (?) since I'm not enough musically skilled to try read the bar N°33 or 34th (it looks like a torture lol)

Personally no difference coz I play these rhythms from memory :)

i didn't think the triplets

Submitted by ametueraspirant on Wed, 01/22/2014 - 14:19.

i didn't think the triplets were important, do they affect the timing in any way?

You can fit three eighth note

Submitted by auriplane on Wed, 01/22/2014 - 17:31.

You can fit 3 triplets in the space of 2 regular notes.

If we divide it into upper and lower voices and space it out proportionately, it looks like this:

 F(I)                                                                                A7M
             |---3---|   |---3---|   |---3---|    |---3---|                 
 Q           E   E   E   E   E   E   E   E   E    E   E   E   S  S  S  S  S  S  E     Q
|------------------------------------------------|--------0------------0--------0-----------------|
|1-----------1-----------1-------1---3---1---3---|3--s5-------0--2--------2-----------2-----------|
|----------------2---4-------4-------------------|--------1---------2--------1--------------------|
|3-----------3-----------2-----------------------|------2-----------------------------------------|
|------3-----------3-----------3-----------0-----|0-----------------------------------------------|
|1-----------------------------------1-----------|------------------------------------------------|
 E     E     E     E     E     E     E     E      E     E    (H.)

Here, the bottom voice has 8 eighth notes, adding up to 4/4.

In the space of the last 6 eighth notes, the top voice has 9 triplet eighth notes. Those 9 triplets take up the space of 6 regular notes, so both voices add up to 4/4.

If we write the voices on

Submitted by auriplane on Wed, 01/22/2014 - 18:15.

If we write the voices on separate staves:

             |---3---|   |---3---|   |---3---|    |---3---|
 Q           E   E   E   E   E   E   E   E   E    E   E   E   S  S  S  S  S  S  E     Q
|------------------------------------------------|--------0------------0--------0-----------------|
|1-----------1-----------1-------1---3---1---3---|3--s5-------0--2--------2-----------2-----------|
|----------------2---4-------4-------------------|--------1---------2--------1--------------------|
|3-----------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|                                                |                                                |
|                                                |                                                |
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------3-----------2-----------------------|------2-----------------------------------------|
|------3-----------3-----------3-----------0-----|0-----------------------------------------------|
|1-----------------------------------1-----------|------------------------------------------------|
 E     E     E     E     E     E     E     E      E     E    (H.)

The tab is a representation of these two things squished into one staff. Unfortunately the tab is rather hard to read since it's written with only one voice, but hopefully looking at it this way you can see how it adds up to 4/4 :-)

Oh indeed "|---3---|"

Submitted by diralark on Wed, 01/22/2014 - 23:45.

Oh indeed "|---3---|" notation looks better than "|-3| |3|" thanks to fix it for the best. It's pity GP5 can't separate time duration notations as u did (Bass down and Treble high) when 2 voices are used, I think this is a great idea & curiously I never noticed anyone used it before, anyway I'll try to remind that. Many thanks for your explanations :)