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M01 (Kara no Kyoukai 2) Guitar Tab

Submitted: Mar 18, 2017 by GomiNoUmi (Last updated: May 09, 2017)

5
Average: 5 (3 votes)
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Game: Kara no Kyoukai 2
Composer(s): Yuki Kajiura
Style: Arrangement, Fingerstyle, Natural harmonics
Series: Kara no Kyoukai

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Title: M01
Composer: Yuki Kajiura
Anime: Kara No Kyoukai 2
Song: https://www.youtube.com/watch?v=JValEWFL-EI
Arrangement by: GomiNoUmi
Made: 17.3.2017

Rhythm 3/4
Capo on 7th


 B|-------3------------|--------|-------1------------|--------|--------|---------------|
F#|-----4--------------|--------|-----3--------------|--------|-3------|-------1---3---|
 D|---3----------------|--------|---3----------------|--------|--------|---------------|
 A|-1------------------|--------|-0------------------|--------|--------|---------------|
 E|--------------------|--------|--------------------|--------|--------|---------------|
 B|--------------------|--------|--------------------|--------|--------|---------------|


 B|-0---------5----|-3---------0----|----------------|-1---------0----|-----------0----|
F#|-1--------------|-0--------------|-1---------3----|-1--------------|-3--------------|
 D|-2--------------|-0--------------|-2--------------|-0--------------|-2--------------|
 A|----------------|-0--------------|-3--------------|-2--------------|-0--------------|
 E|----------------|----------------|-3--------------|----------------|----------------|
 B|----------------|----------------|----------------|----------------|----------------|


 B|----------------|----------------|-0-----------------|-0------------5----|-3------------0----|
F#|-1---------3----|-3--------------|-0---------1---3---|-1-----------------|-0-----------------|
 D|-0---------0----|-0--------------|-1-----------------|-2-------2---------|---------0---------|
 A|-0--------------|-2--------------|-2-----------------|-----2-------------|-----0-------------|
 E|----------------|----------------|-------------------|-0-----------------|-------------------|
 B|----------------|----------------|-------------------|-------------------|-3-----------------|


 B|--------------1----|-1------------0----|--------------0----|-------------------|
F#|-1------------1----|-1-----------------|-3-----------------|-1------------0----|
 D|-2------------2----|---------0---------|-2-------2---------|-0-------0---------|
 A|---------3----3----|-----2-------------|-0---3-------------|-----0-------------|
 E|-----3-------------|-3-----------------|-------------------|-------------------|
 B|-1-----------------|-------------------|-------------------|-3-----------------|


 B|------------|--------|-------------------------|-------------------------|-------------------------|
F#|------------|--------|-------------------------|---------3---------------|-------------------------|
 D|------------|--------|---------2---------------|---------0---------------|---------2---------------|
 A|------------|--------|---------2---------------|-------------------------|---------2---------------|
 E|------------|--------|-0-----------------------|-0-----------------------|-0-----------------------|
 B|------------|--------|-------------------------|-------------------------|-------------------------|


 B|-------------------------|-0---------------5----|-3---------------0----|----------------------|
F#|---------3-------1---3---|----------------------|---------0------------|-1---------------3----|
 D|---------0---------------|---------2------------|---------0------------|---------2------------|
 A|-------------------------|-----2---2------------|-----0----------------|---------3------------|
 E|-0-----------------------|-0--------------------|----------------------|-----3----------------|
 B|-------------------------|----------------------|-3--------------------|-1--------------------|


 B|-1---------------0----|-----------------0----|----------------------|-------------------------|
F#|---------1------------|-3--------------------|-1---------------3----|-3-----------0---1---3---|
 D|---------0------------|---------2------------|---------0------------|---------0---------------|
 A|-----2----------------|-----3---3------------|-----0---0------------|-----2---2---------------|
 E|-3--------------------|-5--------------------|----------------------|-3-----------------------|
 B|----------------------|----------------------|-3--------------------|-------------------------|


 B|-0-----------------------|-0---------------5----|-3---------------0----|-------------------------|
F#|-0-----------0---1---3---|-1--------------------|-0-------0------------|-1---------------3-------|
 D|---------1-------1-------|---------2------------|---------0------------|-2-------2-------2-------|
 A|-----2-------------------|-----2---2------------|-----0----------------|---------3-----------3---|
 E|---------2---------------|-0--------------------|----------------------|-----3-------------------|
 B|-0---------------0-------|----------------------|-3--------------------|-1---------------1-------|


 B|-1---------------0----|-----------------0----|----------------------|-------------------------|
F#|-1-------1------------|-3--------------------|-1---------------0----|-------------------------|
 D|---------0------------|---------2------------|-0-------0-------0----|-2-----------------------|
 A|-----2----------------|-----3---3------------|-----0---0------------|-2-----------0---2---0---|
 E|-3--------------------|-5--------------------|----------------------|-2-------2---------------|
 B|----------------------|----------------------|-3--------------------|-0---0-------------------|


 B|----------------------|-------------------------|-----------------5-------|-3-----------------------|
F#|------------------0---|-1-----------0-------1---|-0---1---3---------------|-0---------------0---3---|
 D|---------2----2-------|-2---------------2-------|-0-----------------------|-------------0-----------|
 A|-----2---2------------|-3-----------------------|-------------------------|---------2---------------|
 E|-4-------0------------|---------3---------------|-------------------------|-----2-------------------|
 B|-5--------------------|-1-----------------------|-3-----------------------|-0-----------------------|


 B|-3---1---0---------------|-1-------0---------------|-------------------------|-1-------------------1---|
F#|-1---------------1-------|-3---------------1-------|-0-------1-------3-------|-1---------------1-------|
 D|-2-----------------------|-2---2-------2-------2---|-0-----------------------|-0-----------0-----------|
 A|-------------------------|-0-----------------------|-----0-------0-------0---|---------2---------------|
 E|-0-----------------------|-------------------------|-------------------------|-3---3-------------------|
 B|-------------------------|-------------------------|-3-----------------------|-------------------------|


 B|-0-----------------------|-------------------------|---------1-------8-------|-6---------------1---6---|
F#|-1---------------1---3---|-4-------------------4---|-3---4-------------------|-3-----------3-----------|
 D|-------------2-----------|-5-----------7---5-------|-3-----------------------|---------0---------------|
 A|---------2---------------|-6-------6---------------|-------------------------|-----0-------------------|
 E|-0-----------------------|-------------------------|-1-----------------------|-------------------------|
 B|-------------------------|-4-----------------------|-------------------------|-3-----------------------|


 B|-6---4---3---------------|-4-------3-------1-------|---------1-------4-------|-3-------------------3---|
F#|-4---------------4-------|-1---1-------1-------1---|-4---1-------1-------1---|-0-----------1---3-------|
 D|-5-----------------------|-1-----------------------|-1-----------------------|-0-------0---------------|
 A|-------------------------|-1-----------------------|-------------------------|-----0-------------------|
 E|-3---------------1-------|-------------------------|-------------------------|-------------------------|
 B|-------------------------|-------------------------|-1-----------------------|-3-----------------------|


 B|-3------|---------------|-------0----|------------|------------|------------|------------|
F#|-0------|---------------|-0----------|-3-----0----|-------1----|-1-----0----|-------0----|
 D|-0------|-------0---2---|-0----------|-4----------|-0----------|-0----------|-2----------|
 A|-0------|---------------|-2----------|-4----------|-2----------|-0----------|-2----------|
 E|-2------|---------------|------------|------------|-3----------|------------|-0----------|
 B|-3------|---------------|------------|------------|------------|------------|------------|


 B|------------|-------------------------|-----------5----|--------|----------------|
F#|------------|-------------------------|-0----3---------|--------|-----------3----|
 D|-0-----2----|-2---------------0---2---|----------------|--------|----------------|
 A|-2-----0----|-2-----------2-----------|----------------|--------|------2---------|
 E|-2----------|---------3---------------|----------------|--------|-3--------------|
 B|------------|-----3-------------------|----------------|--------|----------------|

		    <-- These are all natural harmonics-->
 B|------3----5----|------12---7----|-------5----|--------|
F#|-5--------------|----------------|------------|--------|
 D|----------------|-7--------------|-5----------|--------|
 A|----------------|----------------|------------|--------|
 E|----------------|----------------|------------|--------|
 B|----------------|----------------|------------|--------|
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2 comments on M01

Few comments on this piece

Seems pretty good arrangement but noticed a few minor things here:

1. At first I was confused to the tuning but the tuning of the strings here are what the strings sound like at capo 7, I think you should change it so it just says capo 7 with the normal tuning instead(could have also just changed the key).

2. Measure 31 (and measure 39) seem a bit weird to play for me personally although absolutely playable i would prefer to substitute the chord you have for a dominant 7 chord as follows just because the next chord is a fifth below and dominant chord sounds pretty darn close to the original but would make it a lot easier to play.

|----------------------|
|-3--------------------|
|----------5------------|
|-----3---3------------|
|-5--------------------|
|----------------------|

Though I can see why this might "muddle" the melody line a bit as well so not the best solution but a thought at least.

3. Measure 53 I think should be tabbed as follows instead (at least for me):

|--6-----------------6----|
|--3----------3---6-------|
|-------------------------|
|---------5---------------|
|------5------------------|
|--3----------------------|

This allows fret 3 to be barred, the 5 frets to be fretted with the ring finger and the 6 frets to be fretted with the pinky.

4. Measure 54 is also a bit difficult for me personally to play accurately at that speed of the original piece so I would probably change it in the following manner:

|---------------------------|
|---10----9------8----------|
|---8-----------------------|
|---------------------------|
|---------------------------|
|---8-----------------------|

Benefits are that the "important" notes are still there (melody, bass, and minor 3rd) and it is also easily barred in place. The drawback is that this requires a lot of fret hand movement.

Overall, a really nice piece and I enjoyed playing it, keep at it and if I said anything confusing let me know and I will try to clear it up.

Let's see: 1) Good thing you

Let's see:

1) Good thing you pointed that out. I didn't even notice those and I can see why that can be confusing. I'll remember to edit those in the future.

2)

You could also do it like this to make it easier, tho then the D wouldn't ring during the rest of the measure. Also I feel like with the 3-5 instead of 3-2 it doesn't sound "D enough" or whatever to me so I'm not entirely sure about that.

|----------------------|
|-3--------------------|
|---------2------------|
|-0---3---3------------|
|----------------------|
|----------------------|

Although harder to play I still think the "original" 5323 shape sounds the best.

3) The neck of my classical guitar ends after 12th so doing a barre chord at 10th (capo 7 3rd) is kind of hard. For my finger placement, I have my middle finger on the bottom E string, ring on B and and index and pinky on the 1st and 6th respectively but I mainly do it because my equipment makes me lol.

4)

Yeah the 5 in the middle definitely makes it a pain to play and cutting it off doesn't really effect the sound too much. I think you could also just barre the 3rd fret and achieve the same but I don't have the luxury to compare it to barring 8th with capo 7 with this guitar.

Anyways, thanks for the feedback! I'm new to this arrangement/tabbing thing so I appreciate you taking time to give some pointers/comments. I'll keep 'em in mind!