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The Bannered Mare (The Elder Scrolls V: Skyrim) Guitar Tab

Submitted: Feb 03, 2012 by N0Stars (Last updated: Feb 23, 2012)

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Average: 4.9 (9 votes)
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Game: The Elder Scrolls V: Skyrim
Composer(s): Jeremy Soule
Style: Arrangement, Artificial harmonics, Fingerstyle
Series: The Elder Scrolls

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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

The Elder Scrolls V: Skyrim - The Bannered Mare

Composed by Jeremy Soule

Arranged for Solo Guitar by NorthStar

Gtr I (E A D G B E) - 'Untitled'

  Q=80
 6/8
  Gtr I
  E.     S E E. S E   E.  S E E. S E   E. S E E. S E   E. S E Q    E
|-1--------0-1--3-1-|-0-------0--1-0-|-----------0---|---------------|
|-3------3----------|-1---1-3--------|-3----1-3----3-|-2--3-0-2------|
|-2-----------------|-0--------------|-3--3---3------|-2-----------2-|
|-0-----------------|----------------|-3-------------|-2-------------|
|-------------------|-3--------------|-1-------------|-0-------------|
|-------------------|----------------|--------3------|---------------|


  Q S S E. S E   Q S S E. S E   E. S E E. S E   Q  E Q.
|-1---0-1--3-1-|-0-----0--1-0-|----0------0---|----0-------||
|-3-3----------|-1-1-3--------|-3----3-3----3-|-2----3-----||
|-2------------|-0------------|-3------3------|-2----2-----||
|-0------------|--------------|-3-------------|-2----0-----||
|--------------|-3------------|-1-------------|-0----------||
|--------------|--------------|--------3------|------------||


                                                      |-3-|
  Q  S S E. S E   Q  S S E.  S S S    Q  S S E. S E   S S S +Q    Q  E
|-5--1-3-5--6-5-|-3--0-1-3---5-3-1-|--1----0-1--3-1-|-0-----------0-----|
|-1-------------|-1----------------|--3--3---3------|-2-3-2-(2)------2--|
|---------------|-0----------------|--2------3------|-2-----------------|
|---------------|------------------|--0-------------|-------------------|
|---------------|-3----------------|---------1------|-0--------------0--|
|-1-------------|------------------|----------------|-------------------|


                                                             To Coda
  Q  S S E S S S S   Q  S S E S S S S   E S S E E S S S S   Q  E Q.
|-5--1-3-5-6-5-3-1-|-3--0-1-3-5-3-1-0-|-1---0-1-1-3-1-0---|-5--------||
|-1----------------|-1----------------|-3-3-----3-------3-|-5--5-3---||
|------------------|-0----------------|-2-------3---------|-2----2---||
|------------------|------------------|-0-----------------|------0---||
|------------------|-3----------------|---------1---------|-0--------||
|-1----------------|------------------|-------------------|----------||


  S S S S E S S S S S S   S S S S E S S S S S S
|---------1---------1---|---------0---------0------|
|---3---3-----3---3-----|---1---1-----1---1--------|
|-2---2-----2---2-0---2-|-0---0-----0---0-----0----|
|-3-------2-3-------3---|-2-------0-2-----3-2------|
|-----------------------|-------3------------------|
|-----------------------|--------------------------|


  S S S S E S S S S S S   S S S S E S S S S S S
|-----------------------|--------------------------|
|---------3---------3---|---------2---------2------|
|---3---3-----3---3-----|---2---2-----2---2--------|
|-3---3-----3---3-----3-|-2---2-----2---2---2-2----|
|-5-------3-5-----7-5---|-4-------2-4--------------|
|-------6---------------|-------5------------------|


  S S S S S S S S S S S S   S S S S S S S S S S S S
|---------1-----------5---|---------0-----------3------|
|---3---3-------3---3-----|---1---1-------1---1--------|
|-2---2-------2---2-0---2-|-0---0-------0---0-----0----|
|-3-------0-2-3-------3---|-2---------0-2-----3-2------|
|-------------------------|---------3------------------|
|-------------------------|----------------------------|


  S S S S S S S S S S S S   S S S S E Q.
|-------------------------|-----------1-----||
|---------3-----------3---|-5-------2-3-----||
|---3---3-------3---3-----|---2---2---2-----||
|-3---3-------3---3-----3-|-2---2-----0-----||
|-5---------3-5-----7-3---|-4-------0-------||
|---------6---------------|-----------------||


  E  S S S S S S S S E    E  S S S S S S S S S S
|-5----------5-----6-5--|----------------5----------|
|-6------6-8------------|-8------5-6-8-----8-6-5----|
|------0---------5------|-5--5-7--------------------|
|--------7---7-8---8-7--|--------5---5-7-7-5--------|
|-8--8------------------|-7------------------8-7----|
|-----------------------|---------------------------|


                        |-3-|
  E S S S S S S S S E   S S S  S  S S S S S S S S S
|-----------------3---|-----------------------1-3------|
|-6-----3-5-6-------6-|-5-6-5-(5)---3---1--------------|
|-3-------------------|---------------0---0-------0----|
|-------3---3-5-7-5-3-|---0----2----2-------2---3------|
|-5-5-7---------------|-3---------3-----------3--------|
|---------------------|--------------------------------|
                        S S
                        |


  E S S S S S S S S S S   E S S S S S S S S S S
|-5---------5---6-5-----|---------------5----------|
|-6-----6-8---------8-6-|-8-----5-6-8-----8-6-5----|
|-----0---------5-------|-5------------------------|
|-------7---7-8-----8-7-|-------5---5-7-8-7-5------|
|-8-8-------------------|-7-7-8--------------------|
|-----------------------|--------------------------|


  E S S S S E S S S S   Q  E Q.
|-------------------3-|------------||
|-6---5-6-----3-5-6---|-5----3-----||
|-3-------------------|-2----2-----||
|-----------------3---|-2----0-----||
|-5-5-7---5-----------|-0--0-------||
|-----------6---------|------------||


            |-3-|                         |-3-|
  S S S S E T T T +S  T T T T E   E S S E S S S +E  S S
|---------0-1-0-1-(1)-0-1-0-1---|-0-0-1-3-1-3-1-(1)-0------|
|-----2-3---------------------3-|-2-------------------3----|
|---2---------------------------|-2------------------------|
|-2---------0-------------------|---------0----------------|
|-0-----------------------------|-0------------------------|
|-------------------------------|--------------------------|


  E S S S S E E T T T T   S S S S S S Q  E
|-----0-1-0-0---0-1-0-1-|-----------0---------|
|---3-------2-3---------|-3---3---3---3--2----|
|-----------2-3---------|-3-----------2-------|
|-0---------------------|---0-----------------|
|-1---------0-----------|-------------0-------|
|-------------3---------|-3-----3-------------|


  E  S S E   T T T T E  a E     E E  E S S S  S E
|--------0---0-1-0-1----1-0---|---0----0-1-0---------|
|----2-3-------------3----3---|-2----3--------3-3----|
|-----------------------------|-2--------------------|
|-2----------0----------------|--------0-------------|
|-0---------------------------|-0--------------------|
|-----------------------------|----------------------|


                              |-3-|
  E S S E a Q  S S   E S S E  S S S +Q
|-----0-1-1-0------|-----0-1--0------------||
|---3-------2--2---|---3------2-3-2-(2)----||
|-----------2----2-|----------2------------||
|-0----------------|-0---------------------||
|-1---------0------|-1--------0------------||
|------------------|-----------------------||


  E S S E S S S S S S    T T T T E E Q.
|-3-----3---5-3---3----|-------------------|
|-5-5-6---------6---6--|-6-8-6-8-5-6-5-----|
|-6--------------------|-------------2-----|
|----------------------|-------------2-----|
|-0-------0------------|-0-----------0-----|
|----------------------|-------------------|


                               D.C. al Coda
  E S S E S S S S T T T T       Q.    Q.
|-3-----3---5-3---------3---|---5--------------||
|-5-5-6---------6-5-6-5-----|---5-----5--------||
|-6-------------------------|---------2--------||
|---------------------------|---------2--------||
|-0-------0-----------------|---0-----0--------||
|---------------------------|------------------||


  H.=H
  &
  Q.  Q.     Q.  Q.      E   E   E  +Q.
|-----5----|-----5----|---------[1]-(1)----*|
|-----6----|-----6----|-----[3]------------*|
|-7---7----|-7---7----|-[2]----------------*|
|-----0----|-----0----|--0-----------------*|
|----------|----------|--------------------*|
|----------|----------|--------------------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************
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10 comments on The Bannered Mare

Nice, but I think measures 10

Submitted by Bhael on Fri, 02/03/2012 - 16:21.
5

Nice, but I think measures 10 & 14 are a C chord rather than a G. The G may have been the root note in the original, in which case it was probably an inversion. As you probably know, G's the 5th in a C major triad ;).

Good Catch

Submitted by N0Stars on Sat, 02/04/2012 - 11:38.

Huh, I completely missed that; I guess I was concentrating on correcting everything below that section because it needed more work. I'll go ahead and post an edited version.

Thanks for pointing that out, (and yes, I do know by basic major scales/chords :|).

Oh jeez, just before my

Submitted by OggirtMoonfrad on Fri, 02/03/2012 - 19:16.

Oh jeez, just before my arrangement of this you get yours in there :P

I was waiting until I could play and record a video of mine to submit it, but I guess I may as well submit mine, as I believe it has the section Bhael mentioned with the correct chord phrasing. Regardless, good job otherwise!

Maybe I should go ahead and

Submitted by Ennea on Fri, 02/03/2012 - 20:14.
5

Maybe I should go ahead and finish mine now as well xD

Great Tab

Submitted by mz44_d on Fri, 12/21/2012 - 15:33.
5

I love it, but the first chord of the 2nd part seems like a nearly impossible stretch?

e-5
b-1
g--
d--
a--
e-1

I have big hands and I can just barely pull it off by fretting the low E with my thumb. Damn.

(Keep in mind I'm playing on a classical guitar.)

Sorry, I don't really have a

Submitted by N0Stars on Fri, 12/21/2012 - 21:08.

Sorry, I don't really have a solution for that other than practice. It seems like many people have had problems with the barre chords that I use. I've always known that I've had large hands, but I guess I've got fingers like an aye-aye as well. If you don't mind losing some of the chord's depth, you could play the chord without the C on the B-string. No barre might make things easier.

Yeah, that's the way I've

Submitted by mz44_d on Fri, 12/21/2012 - 22:06.

Yeah, that's the way I've been playing it (ditching the C). There is that same F/A fingering on the low/high e strings in Bach's "Air on the G string", so I'm used to that, anyway. :P

Oh, and I can pull it off on my Strat without a problem. lol

Normally, I think you'd just

Submitted by auriplane on Sat, 12/22/2012 - 02:18.

Normally, I think you'd just play 1xx5x5 instead of 1xxx15. No real advantage to playing it the way it's written. (Just my opinion.)

I guess that works, too.

Submitted by N0Stars on Sat, 12/22/2012 - 14:19.

I guess that works, too. Personally, I find that the barre takes much less effort to play. Plus, there is an advantage to barring the first fret: it allows the F on the low E string and the C on the B string to ring out, while making it easier to play the following note (the F on the high E string).

...How?

Submitted by Ryjak on Thu, 01/11/2018 - 20:51.

I'm relatively new to playing guitar. So that part where it looks a bit like 5 1 x x x 1 is proving to be more than a little challenging, any help?